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    • New Talents Open Call 2025
      As the only competitive program at ENFF, the New Talents Competition invites filmmakers or artists with their first, second or third short film, to compete for an Audience Award. Submit your film till 21 August 2025.
    • On Tour: Chajdas’s Imago at Cavia, Amsterdam
      ENFF lands in Cavia, Amsterdam for the first time! On Friday 28 February, we screen the post-punk psychological drama Imago by Polish director Olga Chajdas.
    • On Tour | My Late Summer | LHC, Utrecht | 07.12.24.
      Last night, we took On Tour to Utrecht for a special screening at Louis Hartlooper Complex and mingled. We showed our festival’s closing film, My Late Summer by Danis Tanovic, one more time! Thank you to everyone who joined us for an evening filled with great film and fantastic company.
    • ENFF Closing Day | Filmhuis Den Haag | 01.12.24.
      Photos by Mladen Pikulic

On Tour: Good Times, Bad Times at Rialto, Amsterdam

Rialto De Pijp, Amsterdam | Saturday 28 September | 15:00 hours

We’re about to embark on our ENFF On Tour program, bringing captivating films to some of the most stunning cinemas across the Netherlands. This year, we return to Amsterdam’s Rialto with the latest film of award-winning Croatian director Nevio Marasović.

On Saturday 28 September, we will present the Dutch premiere of Good Times, Bad Times (Marasović, 2023), a film that blends life, death, regrets, mistakes, and all the reflections that come as life nears its end. The event will kick off with complimentary Croatian wines, generously provided by the Croatian embassy.

After the screening, ENFF is pleased to host a video interview with Nevio Marasović, where the audience will have the opportunity to learn more about the film and his career.

We can’t wait to spend an evening full of cinema with you all.

ABOUT THE FILM. While sitting in a restaurant that serves as a waiting room to the other world, a tired old man observes the guests who represent him and his closest family during significant moments of his life. The old man is forced to objectively witness these events from the sidelines, acting as a judge and jury of a life of wrong decisions. 




Good times, bad times