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    • On Tour: DJORDJEVIC’s Working class goes to hell
      ENFF On Tour lands in Rotterdam next Sunday, October 27, at Kino for the Dutch premiere of Working Class Goes to Hell by Serbian director Mladen Đorđević. The director of The Life and Death of a Porno Gang (2009) returns with another uncompromising, wildly imaginative, and transgressive mix of genre and social drama that you won’t want to miss.
    • On Tour: CHAJDAS’s IMAGO
      ENFF arrives in The Hague with the post-punk psychological drama Imago by Polish director Olga Chajdas. The Dutch premiere of Imago will take place on Friday, November 1, at 19:00 at Laaktheater, The Hague. Our signature Balkan cocktail will be served before the screening.
    • On Tour: Katalin MOLDOVAI debut’s Without Air
      The debut feature film by Romanian director Katalin Moldovai comes to LHC Utrecht as part of the ENFF On Tour program. A seemingly innocent report triggers a chain of events that causes Ana, a high school teacher, to lose her footing in the world she once believed was secure.

On Tour: Marasovic’s Good Times, Bad Times

Rialto De Pijp, Amsterdam | Saturday 28 September | 15:00 hours

We’re about to embark on our ENFF On Tour program, bringing captivating films to some of the most stunning cinemas across the Netherlands. This year, we return to Amsterdam’s Rialto with the latest film of award-winning Croatian director Nevio Marasović.

On Saturday, 28 September, we will present the Dutch premiere of Good Times, Bad Times (Marasović, 2023), a film that blends life, death, regrets, mistakes, and all the reflections that come as life nears its end. The event will kick off with complimentary Croatian wines, generously provided by the Croatian embassy.

After the screening, ENFF is pleased to host a video interview with Nevio Marasović, where the audience will have the opportunity to learn more about the film and his career.

We can’t wait to spend an evening full of cinema with you all.

ABOUT THE FILM. While sitting in a restaurant that serves as a waiting room to the other world, a tired old man observes the guests who represent him and his closest family during significant moments of his life. The old man is forced to objectively witness these events from the sidelines, acting as a judge and jury of a life of wrong decisions. 




Good times, bad times