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On Tour: DJORDJEVIC’s Working class goes to hell
ENFF On Tour Program: Working class goes to hell at Kino (Rotterdam)
On Tour: Marasovic’s Good Times, Bad Times
ENFF On Tour Program: Good times, bad times at Rialto (Amsterdam)
Blog
What’s up in Slovak Cinema? A conversation with Monika Lostakova
From Amazonian Forests to Hymalaian Peeks in a Quest for the Meaning of Love
Croatian Filmmaker Dalibor Matanic Comes to de Balie With His Formula “Against Fascism”
Lana Baric on Utrecht and Tereza37
Martin Turk: I Was Afraid to Talk About My Identity, It Took Me Years to Understand It
Goran Vojnovic: We Are Becoming Worse as a Humankind
Svetlana Yancheva: I Prefer Not to Be Compared to Anyone, Even to Frances McDormand
Stefan Pavlovic: the Film Allowed Me to Think of My Stuttering as a Creative Space
Danijela Stajnfeld: Victims of Sexual Violence Are Treated as People With Bad Morals
Interview With Jasmila Zbanic
Keti Machavariani: Sunny Reveals Georgia Through the Everyday Life of Its People
Danilo Serbedzija: Tereza37 Is a Story of an Atypical Heroine in a Male-Centric Society
A Roma Director Whose Films Transcend the Misconceptions of Poverty Porn Narratives
Vera Lackova: The Roma Fought Against the Nazis but No One Teaches That in School
Success Has Not Erased Prejudices. A Fight for Equality Is Ongoing
Rada Sesic: We Have Been Bringing Films From Eastern Europe to the Netherlands for 13 years
In Flow of Words: A Film on How It Feels to Work With War Criminals & Victims
Interview with Maria Takacs: Activism and Documentary Making Go Hand in Hand
Interview with the Director of No Smoking in Sarajevo
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