Eastern Neighbours Film Festival

4-8 November 2026 — Filmhuis Den Haag

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A remarkable testament to the human spirit and resilience of a Roma mother who takes in her sister’s two children from the streets, confronting trauma and systemic neglect. Winner of the Original Approach and Audience Award at Ji.hlava 2024.

Dajori (meaning “mother” in Romani) tells the powerful story of Marie, a mother of three children who lives an ordinary life with her husband in a block of flats in a small Czech town on the border with Germany. When her younger sister ends up on the streets with her nine children, Marie steps in, taking two-year-old Anabel and nine-year-old Samuel into her already full household. Filmed over the course of three years, the documentary closely follows the evolving dynamics of a newly formed family, and Marie’s efforts to give these traumatised children the love and stability they need, while raising them according to her own values.

Grounded in the personal, everyday moments of the family, the film sheds light on the deeper, systemic issues at play in a world where minorities are often held solely responsible for societal disruptions. 

Programme section: Docs Open Debates
Original title: Dajori | Year: 2024 | Duration: 87′
Country: Czechia | Language: Czech | Subtitles: English
Director: Martin Páv, Nicolas Kourek | Production: Jan Bodnár, Jarmila Poláková – Film & Sociologie; Česká televize, Media Voice | Screenplay: Martin Páv, Nicolas Kourek | Cinematography: Martin Páv | Editing: Matěj Beran | Sound: Adam Bláha, Nicolas Kourek

FESTIVALS & AWARDS (SELECTION)

Ji.hlava International Documentary Film Festival, 2024 – World Premiere, Audience Award, Award for Original Approach | Czech Film Critics’ Awards, 2024 – Nominated for Best Documentary

DIRECTORS’ STATEMENT

This documentary isn’t a moral critique or social agitprop – it’s about love, family, and the struggles of growing up. We wanted to show the complexity of life without offering prescriptive solutions. The ordinary details of life can be far more compelling than labelling people as “good” or “bad”. In the mundane, there’s a quiet power that speaks volumes. I believe that our film’s poetics can convey much more than numbers or data.

DIRECTORS’ BIO 

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