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    • New Talents Open Call 2025
      As the only competitive program at ENFF, the New Talents Competition invites filmmakers or artists with their first, second or third short film, to compete for an Audience Award. Submit your film till 21 August 2025.
    • On Tour: Chajdas’s Imago at Cavia, Amsterdam
      ENFF lands in Cavia, Amsterdam for the first time! On Friday 28 February, we screen the post-punk psychological drama Imago by Polish director Olga Chajdas.
    • On Tour | My Late Summer | LHC, Utrecht | 07.12.24.
      Last night, we took On Tour to Utrecht for a special screening at Louis Hartlooper Complex and mingled. We showed our festival’s closing film, My Late Summer by Danis Tanovic, one more time! Thank you to everyone who joined us for an evening filled with great film and fantastic company.
    • ENFF Closing Day | Filmhuis Den Haag | 01.12.24.
      Photos by Mladen Pikulic

This year, ENFF highlights film art with its new festival section Between Film & Art. We present a series of outstanding films by emerging talents and established makers exploring the edges of film language with bold artistic vision. Followed by discussions with the filmmakers and programmer Temra Pavlović.

This section will have two screenings: on November 21 at 19:30h at Nest, The Hague, and on November 30 at 15:00h in Filmhuis Den Haag within the ENFF festival program.

We screen: Projekt (Germany/Nigeria, 25 min) by Dane Komljen about the International Trade Fair in Lagos as a transhistorical conglomerate where utopia transforms. Let Us Flow (Georgia/UK, 63 min) by Sophio Medoidze on the persistence of tradition in the Georgian Tusheti mountains, which won the New Cinema Award at the 2023 Berwick Film and Media Arts Festival; and as well Medoidze’s Xitana (Georgia/UK, 2019, 6 min), which captures ancient ritual in resistance to the pressures of modernity. Lifelike (USA/Croatia, 6 min) by Dora Budor, recently shown at the Whitney Biennial in New York, depicts the libidinal economy in a psychic and physical blur. Like a Sick Yellow (Kosovo, 23 min) by Norika Sefa, awarded best short documentary at the Sarajevo Film Festival, a poignant mental spiral in film form; Both Ears to the Ground (France/Russia, 29 min) by Naïmé Perrette, about the (in)visible expressions of sinkholes in the Urals. By Svetlana Romanova, Hinkelten (Russia, 15 min), from the Yakutian Arctic: a poem in fragments searching for visual-cultural sovereignty; and Gaze is a Bridge (Croatia/Netherlands, 22 min) by Katarina Zdjelar, who creates a space through a complex woman’s gaze that reaches through time and space.

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